The dissertation argues that from 1933 onwards, Nazi Gleichschaltung transformed German arts culture into a tool of political control by suppressing modernism, promoting racially defined “German” art, and embedding ideology into public consciousness.
What is temporality in contemporary art practice? What is photography? These two debates are discussed in the following essay. “The Permanent Now” is an exploration into juxtaposition – the notion of the permanent within a temporary exhibition. A response to my father’s death in November 2017, this exhibition will investigate what permanence means and how we can relate to the temporary nature of life – or whether it is truly temporary.
This article examines the philosophical convergence of phenomenology and panpsychism in order to reconsider the ontological status of identity. The discussion proposes that identity may be understood not as a fixed psychological property but as a relational and potentially distributed ontological condition. The object, rather than functioning as passive matter, emerges as a critical site through which identity is disclosed, mediated, and constituted.
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